deforest: No other comedian could do as much with the dead-pan. He used this great, sad, motionless face to suggest various related things; a one track mind near the track’s end of pure insanity; mulish imperturbability under the wildest of circumstances; how dead a human being can get and still be alive; an awe-inspiring sort of patience and power to endure, proper to granite but uncanny in flesh and blood. — James Agee in LIFE magazine The screen was just a white sheet. They had this flickering machine. That was the first time I saw this angel with a white face and these beautiful eyes. I knew this was something special. It was the first time I saw him. He wore a flat pancake of a hat, and I just couldn’t believe the man’s grace. — Mel Brooks The older Keaton got, the more one could see eternity in his look. —  Robert Benayoun Buster Keaton … will be around forever, because it’s unlikely that human beings will ever go out-of-date the way special effects do. Keaton running and clambering onto a moving Civil War train in The General is infinitely more exciting than Christian Slater jumping from a helicopter onto a speeding locomotive in Broken Arrow because what Keaton does is real, and the camera captures and preserves his feats for posterity. In Broken Arrow we never see Slater (or the stuntman, for that matter) leaping from the helicopter to the train. Instead there are several cuts, and we must suspend our disbelief and assume that the feat has been accomplished. Which means that it’s no feat at all. — Anthony Puccinelli Happy Birthday to the greatest, most innovative, and most genius figure in all of film. Today, we tip our pork pies to you. | Joseph Frank “Buster” Keaton (4 Oct. 1895 - 1 Feb. 1966)

deforest:

No other comedian could do as much with the dead-pan. He used this great, sad, motionless face to suggest various related things; a one track mind near the track’s end of pure insanity; mulish imperturbability under the wildest of circumstances; how dead a human being can get and still be alive; an awe-inspiring sort of patience and power to endure, proper to granite but uncanny in flesh and blood. — James Agee in LIFE magazine

The screen was just a white sheet. They had this flickering machine. That was the first time I saw this angel with a white face and these beautiful eyes. I knew this was something special. It was the first time I saw him. He wore a flat pancake of a hat, and I just couldn’t believe the man’s grace. — Mel Brooks

The older Keaton got, the more one could see eternity in his look. —  Robert Benayoun

Buster Keaton … will be around forever, because it’s unlikely that human beings will ever go out-of-date the way special effects do. Keaton running and clambering onto a moving Civil War train in The General is infinitely more exciting than Christian Slater jumping from a helicopter onto a speeding locomotive in Broken Arrow because what Keaton does is real, and the camera captures and preserves his feats for posterity. In Broken Arrow we never see Slater (or the stuntman, for that matter) leaping from the helicopter to the train. Instead there are several cuts, and we must suspend our disbelief and assume that the feat has been accomplished. Which means that it’s no feat at all. — Anthony Puccinelli

Happy Birthday to the greatest, most innovative, and most genius figure in all of film. Today, we tip our pork pies to you. | Joseph Frank “Buster” Keaton (4 Oct. 1895 - 1 Feb. 1966)



Jimmy and I started talking very personally. A couple of times before this I had seen him be cold or abrupt with people -  but these things aways ended in something causing pain for him. He was always putting people through a series of circus hoops before letting them get close. He was like Marlon: he ate people - consumed all they knew, their mannerisms, all he could use as an artist. Everyone was a source for his creativity. He really wanted to be a participant in life. But he was constantly fucking himself over by behavior designed to alienate people. -Phil Stern

Jimmy and I started talking very personally. A couple of times before this I had seen him be cold or abrupt with people -  but these things aways ended in something causing pain for him. He was always putting people through a series of circus hoops before letting them get close. He was like Marlon: he ate people - consumed all they knew, their mannerisms, all he could use as an artist. Everyone was a source for his creativity. He really wanted to be a participant in life. But he was constantly fucking himself over by behavior designed to alienate people.

-Phil Stern



deforest:

Night Must Fall (1937)



totallyastaire: thomasdestry: requested by totallyastaire.  just had to bring that on again. I LOOOOOOOOOOOOOOVE THAT !!! FREDDIE MARRY ME! …oh you already did sorry I FORGOT XD

totallyastaire:

thomasdestry:

requested by totallyastaire.

 just had to bring that on again. I LOOOOOOOOOOOOOOVE THAT !!!

FREDDIE MARRY ME! …oh you already did sorry I FORGOT XD











latinamericana: That puppy dog face….he just melts my ice cold heart.

latinamericana:

That puppy dog face….he just melts my ice cold heart.